“The singers were top-flight. Mlada Khudoley negotiated
Salome's fierce vocal demands while projecting girlish wiles.”

Chris Shull, February 3, 2008 Star- Telegram, Dallas



“Soprano Mlada Khudoley's elegant portrayal of the
duty-bound Lisa takes a surprising turn as she abandons
her caution and propriety to pursue a forbidden romance.
Initially icy and repressed, she emerges as a passionate
young woman ignited by her first real love, making her
betrayal all the more tragic. Tempering power with restraint,
Miss Khudoley's richly burnished instrument revealed
great depth and range, particularly during Lisa's
heartbreaking Act III aria.”

Washington Times, December 8, 2007



 

 

“Soprano Mlada Khudoley had fewer problems being heard as
Lisa, with a voice that melded girlish sweetness and laserlike
projection, and opened out well whenever the passion of
Tchaikovsky's writing welled up at climactic moments.”

Washington Post, December 8, 2007

 

mlada

 

“And I hope the Met will hire some of the Kirov singers who
were newcomers to New York. Of those I heard, the lovely,
intense and vocally lustrous soprano Mlada Khudoley, who
sang Sieglinde in “Die Walküre,” was the most exciting discovery.”

NY Times, Anthony Tommasini, July 21, 2007

 

 

“…the soprano Mlada Khudoley, the vocal standout of the
production so far, who has a lush, sizable and luminous voice.”

New York Times, Anthony Tommasini, July 16, 2007

 

                                                                    More reviews from past years...


 

 
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